这个早晨

最近日子被foreign workers和family of homosexual 填满了
我们做documentary纪录片 因为相信 媒体有那么一点点影响力
至少 至少 give you something to think about

可是 没有读communication studies之前 没有自己亲手去做之前
是不知道的 那一分钟很面 可能是4个人的25小时 = 100小时 in total
wah~~~

和我一起拍片子的朋友们都是很有包容心的人 对我们接触的这些采访对象基本上很谅解、很中庸
甚至对我 也是的 我的英文不好 他们除了偶尔笑我讲的好笑到不行的英文之外（这怎么能怪他们呢，谁叫我这么有幽默感）
大多数的时候 都不当一回事 也不觉得frustrated

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今天早上930左右起床了 在msn上和几位许久没有联系的朋友聊聊 感觉很好
添加一个人的手机号码时 我心血来潮给几位手机里很久没有联系的朋友发了问候的简讯
从他们的回复里 我知道他们真的很开心 收到我有点突兀的简讯

呵呵 其实 在被Task任务、正经事、责任、效率、效果包围的年代里
一些唐突无聊没有目的小事 自然的变得很美好 不是么？

嗯。。。像陈绮贞的飞翔


听着嘈杂的浑厚的音乐的早晨，感觉很宁静

写在一个星期二的凌晨

28号了

生活有时候很悠闲 有时候又很不由自主
最近唯有在深夜的时候才有时间在房间里在电脑前想想事情看看朋友的部落格

嗯 说到朋友 和朋友一起翻译了一篇小曼的文字 我的翻译应该是嗯嗯嗯……呵呵 不过也算尽力而为了
要大大力谢谢我的小学同学，也是我的好朋友 SY 哥哥 呵呵 （人家比较老嘛）

乐乐王子刚刚在电话里头表示 以后要去澳洲啦！ 因为那里是4天制的每个星期都有3天假日 实在是太爽了
我知道他真的过得很满意 回家了 学习了 运动了 坐在电视前面变成couch potato了 呵呵 简直是在天堂嘛

我的三天也还不错 和王子的家人吃过饭，做了一档自己不满意的节目，还有拼命的剪辑，剪啊剪啊剪啊剪
呵呵

真想，这个作品最后可以放上youtube啦，花这么大力气做出来，让有缘人看看也好，收着也不会变成钱 : )

最后分享一下我和朋友做的翻译吧

• On July 27, 2008, the renowned Malaysian musician Master Chen Huey Chong passed away at the age of sixty-one. Master Chen has neither power nor wealth but his death stirred both the Singapore and Malaysia media scenes.
• “That night, Johor Bahru wept,” news commentator Lin Ming Hua said, “we wept, as the city lost her marvelous son, the nation lost an art maestro, and the community lost a cultural cultivator.”
• Nationwide, Guang Ming Daily made an appeal for “recognition for cultural worker” on July 31. Sin Chew Daily advocated that “there should not be any ethnic barrier in cultural and arts scene”.
• Beyond the national border, Singapore Lianhe Zaobao quoted journalist Du Nan Fa saying “Master Chen’s voice has been a significant voice”. Taiwan Sinorama Magazine contained a 6-page coverage on Master Chen titled “A Silent Musician – The Father of Malaysian Music, Master Chen Huey Chong”.
• In Master Chen’s mourning hall, arts lovers and educators gathered from all over the world. His disciples sang, played their instruments, and beat their drums in tears. Putting aside his heavy duty, Malaysia Minister of Culture, Arts, and Heritage also presented the certificate of accolade for Master Chen personally. In deep sadness and grief, all of us came to realize that this ordinary man has indeed been a great cultural worker and an admirable arts master.
• Master Chen dedicated his music and voice to this land since his graduation from Taiwan Normal University in 1970s. He joined Foon Yew High School and developed Foon Yew as an incubator for artistic talents. Then, Master Chen spread the seeds of music in Johor Bahru, in Southern Malaysia, before finally, all over the nation. His music and charisma inspired and touched his friends, his disciples and the cultural arts scene as a whole.
• Yet, his lifelong call to build a music hall for the fast-paced city, Johor Bahru, has never come true. Sometime, the lonely Master Chen would express his disappointment and resentment with his pen. His criticism was uncomfortably razor-sharp to the ears of the Malaysian Chinese community. Reading his criticism was like sitting on a bed of thorns. But for Master Chen, his words and musical notes were the same--- they arose from the bottom of his heart. Listening to his words, we seemed to hear an artistic soul heaving a deep sigh for an unhealed cultural wound.
• Over three decades of musical education, Master Chen led his followers just like what Moses in Exodus did. Despite the awfully limited resources he had, he held concert after concert without ever earning a decent living out of it. When Master Chen lied on his sick bed, music is his best healing treatment.
• Master Chen once said, “We need a hero for the culture of Malaysian Chinese while he is only an unworthy warrior.”
• However, when our cultural cultivators embarked on their own journeys, most of them remained the lone paddler of the small canoe in the cultural river. When the sun of culture fell in the dusk, the shadow of Master Chen got longer and longer, before it rose as high as a gigantic flag flying in the evening wind that provided us with a direction for the future.
• At the end of Master Chen’s journey, he was remembered as a composer, a music educator, a choir conductor, a cultural cultivator, the father of 24 season drum, the father of Malaysian music, 南方人文精神奖得主, and 国家文化人物. He is an everlasting and dignified model in Malaysian arts scene.
• Master Chen knew the way to carry classics and traditions into the artistic future in an innovative manner. His ceaseless pursue of his ideal world of arts and culture lies in tomorrow. When Singaporean arts master Chen Rui Xian looked at Master Chen’s vigorous works and reflected on his fruitful life. Chen urged us not to weep anymore but carry on Master Chen’s journey for him from the point he stopped.
• 《牧歌的人》— Concert for Master Chen Huey Chon, organized by新山歌乐协会与南方学院 is not a send-off concert. Instead, we are walking towards Master Chen’s direction, with the drums companionship, with music leadership, towards “九歌年代”
• The master had left. But his style and spirit live eternally. Now is the right moment for us to begin. The plan named as “南马乐苑”will bring together resources and efforts from all directions. Step by step, the music hall will one day be built in this southern city.
• The way to commemorate an artist is moving forward.

原本在http://teochewboy.blogspot.com/ 当然是更有文采了
11月23日 在新山南方学院 我们会一起演唱老师的作品
我从04年都现在都没有唱了……
谢谢老师 还有所有和老师一起努力的大家

陈绮贞 失败者的飞翔

"08"年春天我對這首歌有了新的想法，我用我第一把Gibson吉他和塵封一段時間的手風琴，
重新編了一個版本，希望用音樂展開一幅遼闊的圖畫，
期待這段時間遇到的，
自覺不被擁抱的人 失去歸所的人，
腳踏實地卻也渴望飛的人，
都在這幅畫裡被接受了"

我喜欢她
我听她的歌
大多数的时候 就是喜欢那份感觉 那个由她的声音和她的音乐制造出来的空间
被她的音乐包围的时候 感觉自己想进入了另一个次元
那里什么都没有 只有她的音乐 还有我自己

http://cheerego.com/

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今天我捐血了。第一次。很满足。可以去这里看看我的小小记录

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如果，我认真痴心地追随陈绮贞，收集她每一张很难得到的专辑、单曲
有一天，她离开了，把我留下，怎么办呢？

: ) 所以，我要追随自己，没有人应该追随别人，被留下，怎么办呢？

呵呵 我很开心 因为她的演唱会在我生日那天 开始售票

……接纳……